Poetry Wednesbury
Geoff Stevens

Nine of Geoff Stevens’ poems:

BECAUSE NEIL SEDAKA DIDN'T
    MAKE A SONG ABOUT IT

WHEN ITS ALL OVER WILL YOU BE WITH ME?

THE COMMON MARKET Poem from a quote by John Osborne

L'AUTRE GINSBERG

UNTIL DOWN CAME THE FLAG

1950 (AND I WAS JOHNNIE MACK BROWN)

ASMARA CAFE SOCIETY

BALLINTOY WAVES

 

 

 

 

 

 

 

 

        BECAUSE NEIL SEDAKA DIDN'T
            MAKE A SONG ABOUT IT

        He's a ding-dong guerilla
        on the edge of civilisation
        refusing to take notice of the law
        the rules of his own territorial creation
        beating his chest and growling out
        the one aspect of his history
        that is perhaps not self-inflicted
        and he riots in the streets
        if there is a clampdown
        on the trafficking of ganja
        cites his DNA if he's not a chosen one
        shoots his fellow travellers
        if they show disrespect
        for his disrespectability
        his level of criminality.
        He rattles his chains
        even when they're ancient history.

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 WHEN ITS ALL OVER WILL YOU BE WITH ME?

When it's all over
will you still walk through the darkness
like an infra-red image
developing on the bromide of my dreams?
Will I see you though I cannot see you
your body displacing space in line with shape
distorting my brain with the anticipation?
Will you lift the lid
like you lifted the sheet
and slide in
seeking warmth from me
and giving it to me
grasping my leg between your thighs
putting your cold nose in my ear?
Will you gasp
when you encounter cold bones
where my flesh used to be?
Will I know you are always next to me
or will death be the end of us?

 

 

 

 

 

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        The Common Market - As drab a name
        for a monumental swindle has not been
        coined since a bright German ad-man
        thought of putting wholesale murder on
        the market as National Socialism -
        John Osborne

       

          All our history
          changed in one stroke
          Crecy
          The Armada/ Trafalgar/ Waterloo
          the two
          World Wars
          our sovereignty gone
          our steel industry
          car industry
          fishing fleet
          our agriculture
          pride
          identity
          everything squandered
          for a little corporate hospitality
          the creation of a few well-paid jobs
          for the boys

 

 

 

 

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        L'AUTRE GINSBERG

        L'autre Ginsberg
        est Serge
        69 année érotique
        la Ballade de Melody Nelson

        Et Love On The Beat
        et Alan
        Howl
        Kadish for Naomi

        Dents de lait dents de loup
        Docteur Jekyll et Monsieur Hyde
        Portrais croises
        Hey Man Amen

        Requiem pour deux con

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        UNTIL DOWN CAME THE FLAG

        in grey monochrome rainbow
        the sunshine hung
        onto the settling dust of industry

        daytime in Sodom End
        lay as quiet as doggo

        the butcher's shop occupied
        only by black puddings and pigs' heads

        the corner shop behind
        canvas blinds and closed signs

        the Baptist Church standing
        as formidable as a wedding cake
        in austere grey icing

        main street devoid of traffic
        save for an old bread van

        and over a blue-brick wall
        bumbleless bees slept

        amongst cabbages and leeks
        in potting-shed allotments

        while nearby in flat-capped solitude
        pensioners in collarless shirts
        pin-striped egg-stains

        sat around a cast-iron stove
        with black as hell beer glasses

        sitting on its glowing lid
        as they mulled-over yesterdays

        and the gaffer down the cellar
        tended the next home-brew

        until a shout of Jack, bar!
        got him climbing back
        on septuagenarian legs

        to pull a pint
        serve a bag of pork scratchings

        provide a dish of water
        for someone's bull terrier dog

        this was the last day of the last week
        of never to be again

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        1950 (AND I WAS JOHNNIE MACK BROWN)

        built like a circle of covered wagons
        our housing estate was cowboy land
        a settlement in Indian territory
        outside which savages roamed
        the brickworks fields
        the slag-black colliery mountains
        the quarried monument valleys of red sand
        where friend or foe
        walked stealthily with cap guns
        water pistols
        and willow-tree arrows
        held in their ash-wand bows
        we rode invisible horses
        one hand slapping rump
        one holding the reins
        while the real horses
        skewbald and piebald
        remained gipsy-owned
        and out of reach
        Christmas brought out
        the new Stetsons
        the waistcoats and chaps
        or frilled buckskin trousers
        and the headdress of feathers
        a bowie knife perhaps
        from Sheffield
        but that was then and now is now
        and the prairie has been built upon
        the cowboys and Indians gone
        so that the street kids
        wear baseball caps instead
        and play real at being drug addicts
        the estate no longer a B-movie set
        but gone gangster big time
        come back Johnny Mack


         

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      ASMARA CAFE SOCIETY

      sleek, streamlined
      with hard-edged geometry
      white and coconut ice
      the candy pink and lime green buildings
      of art deco design bejewelled with jacaranda
      line the palm-treed National Avenue
      and Martyrs' Avenue
      with its splendid deco Impero Cinema
      and in the Italian-style cafes
      one can eat Indian, Asmarino, or Sudanese
      and although the streets have lost their Alfa Romeos
      the 1930's ice-cream parlours remain
      and plastic sandaled locals still enjoy Cappuccinos
      at the Bar Impero
      or Pasticeria Moderna on Harnet Avenue
      while for those who seek adventure
      a trip away from this polite tranquillity
      there is an Eritrean State Railway excursion
      down steep spiralling tracks to seaport Mossawa
      hauled by an engine that bears its birthdates nameplate
      XV1 for its time of manufacture
      in the sixteenth year of the Italian Fascist Empire.

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      BALLINTOY WAVES

      Past the white church
      that lost its steeple in a hurricane
      of hundred years ago
      to the harbour
      reached through a herd of cows
      in Knocksoughey Lane
      to the harbour
      where the sea runs in
      dodging around an obstacle course
      of black basalt islands
      to take a leap over the limestone walls
      its spume splattering on a quayside
      that looks out apprehensively
      across to Sheep Island
      in Boheeshane Bay
      where summer come
      the sheep were once taken to graze.
      But now along with Rathlin
      and Larry Bane Head
      it is shrouded with mist and bashed
      by storm
      its sky full of broken veins and bruises
      of rainbows and blacks and blues
      and spewing rain.
      Once a quarry shipped out sett stones from here
      to pave the streets of Dublin, Cork and Glasgow
      and limestone was calcinated on its shore
      but now only its fisherman
      famed, and trained on wild waves
      work from here
      save for a man who today reads his book
      behind the window of an old cottage
      and on calmer days
      keeps the place in order
      for the visitors.

 

 

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Poetry on this web page is copyright © Geoff Stevens

NB Geoff's poems can be found elsewhere on the net, principally at

www.geoffstevens.co.uk,
www.purplepatchpoetry.co.uk,
www.greatworks.org.uk and
www.littlebrownpoetry.com

 

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